Hamlet opens


Old Nick’s production of Hamlet opens on Friday 12 June at the Peacock Theatre in Hobart. Book here or phone Centertainment on 6234 5998.

I saw the final dress rehearsal on Wednesday night, and this is the best production of Hamlet I have ever seen (yes, I am biased, but also notoriously hard to please). This is how Shakespeare intended his plays to be seen. If your only experience of Shakespeare has been bad school productions, or old black and white films, see this production. You’re in for a surprise.

Hobart has seen some amazing theatre in the first six months of the year. Hamlet continues this trend.

I’ve gushed enough. I’ll stop now.

The play’s the thing
Wherein I’ll catch the conscience of the King.

– Hamlet

  1. #1 by Geoffrey Ellis on June 19th, 2009

    The acting in this production of Hamlet is very good. In particular, the phrasing and cadence make the text that is spoken accessible and easy to understand. However, the play IS the thing and this production of Hamlet has slashed and burned the text much in the same way as the Forestry Commission claims to improve natural forests by “managing” them. The entire first scene, which sets the themes of identity and the difference between appearance and reality, is missing.” This sense of constant questioning is perhaps best epitomized in the opening line, “Who’s there?”
    Large swathes of text have been cut out and Fortinbras, who represents an outside force, is missing from the final scene. The play, Shakespeare’s longest, has been cut to about two and a half hours. Would one leave out the “da ad da dum” riff that opens Beethoven’s Fifth Symphony or the jangling polytonal chord that opens “A Hard Days Night”? This is a generally good production of the play but, in general, I believe that directors should show more respect for the text.

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